UP Vargas Museum

“Place of Region in the Contemporary” Initial project of the Philippine Contemporary Art Network (PCAN)

fb-banner-pcan_prc

Place of Region in the Contemporary
Initial project of the Philippine Contemporary Art Network (PCAN)
8 December 2017 – 27 January 2018
Opening Reception: 8 December (Friday) at 4pm
Vargas Museum, University of the Philippines

UP Vargas Museum opens Place of Region in the Contemporary, the first project of the Philippine Contemporary Art Network (PCAN) built through three nodes in a network: Knowledge Production and Circulation; Exhibition and Curatorial Analysis; Public Engagement and Artistic Formation. The project endeavors to activate a network to coordinate a range of interventions in contemporary art in the Philippines and to cast a sharper profile for it on an inter-local and trans-regional scale. It is keen to confront the requirements of research and discourse; curate art and subject the curatorial gesture to critique; and propose modes of catalyzing the public sphere of art and in the process harness the energies of its agents.

 

Patrick D. Flores, director of PCAN, introduces the project Place of Region in the Contemporary with an anthology of artist-curator Raymundo Albano’s texts, alongside his poetry and curatorial and graphic design. It addresses the concerns of Albano in the intersecting fields of the creative, the critical, the cultural, and the curatorial. It is to these that Albano speaks: the discourse and practice of art making and instilling it with presence in the world of ideas, exhibitions, and the particularities of lived life.

Roberto G. Paulino coordinates the Knowledge Production and Circulation component of PCAN. For Place of Region in the Contemporary, Paulino initiates an archival research on Philippine artists Jess Ayco (1916-1982), Santiago Bose (1949-2002), Abdulmari Imao (1936-2014), and Junyee (Luis Yee Jr) (born 1942). Born or based in the regions of Bacolod, Baguio, Jolo, and Los Baños, the artists represent the disparate conditions and production in Philippine modern and contemporary art.

The Exhibition and Curatorial Analysis node of PCAN is coordinated by Tessa Maria Guazon. An exhibition is presented to explore ideas of the region and the different “practices of placeness” in Philippine contemporary art by tracing numerous strains of place making in the works of artists from different localities across the Philippines. Collateral activities are organized with the exhibition, including a discussion platform to examine impulses underlying the curatorial —those that frame and activate localities in their assertion of claims to place against an overarching globality.

Within the frame of Public Engagement and Artistic Formation, coordinator Renan Laru-an outlines the ground for accumulating and reviewing resources (institutions/infrastructures) and references (actors/agents) for the research direction of PCAN. Initially, it elects three ecologies of practices: Los Baños through the Philippine High School for the Arts and the International Rice Research Institute; Siliman University as an interface to liberal (arts) education in Southern Philippines; Aga Khan Museum of Islamic Art at Mindanao State University through the journal archives of the Institute of Islamic Studies at University of the Philippines, Diliman.

Place of Region in the Contemporary was made possible by the guidance, vision, and logistical support of Senator Loren Legarda.

Latest activity announcements of PCAN’s Place of Region in the Contemporary will be posted on our official Facebook page: http://fb.me/vargasmuseum.upd. For more information, please contact Vargas Museum at (+632) 981-8500 loc. 4024 (UP trunkline), (+632) 928-1925 (telefax) or vargasmuseum@gmail.com. You may also check our website at http://vargasmuseum.upd.edu.ph, and Instagram and Twitter accounts.

Advertisements

About Jorge B. Vargas Museum

It aims to preserve its collection donated by Jorge B. Vargas and conducts research, exhibitions, publications, and educational programs. The Vargas Museum and Filipiniana Research Center houses a museum, archives, and library devoted to the Philippine history, art, and culture from the late 19th century until the post-war era. Its main beneficiaries are students, faculty, researchers and scholars of the Philippines and Asia.

Discussion

No comments yet.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

w

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Follow us on Instagram

CANVAS - Center for Art, New Ventures & Sustainable Development and UP Vargas Museum will be holding a storytelling activity on FRIDAY, 20 JULY 2018 at 4pm, together with the Araneta Foundation and Bb. Pilipinas Charities Inc. The first 80 kids to register (for free) at Vargas Museum will receive copies of Karapat-Dapat, a book on the rights of the child. Regular entrance fee for adults/parents apply. Viewing of Tumba Tumba exhibition is extended until 6pm for this event. 21 JULY (SATURDAY) events: 1) Tumba Tumba Free Book Day for first 500 children of U.P. employees, until supply lasts 2) Tumba Tumba activity: The Author's Hour 2 with Genaro Gojo Cruz at 1:30pm
July 18, Wednesday: In compliance with U.P. memorandum received before noon, the museum is closed this afternoon. Stay alert and safe. Please check our Facebook page for the latest news and announcements.
@TiesofHistory #Artists #Profiles: ANUSAPATI (b. 1957) was born in Surakarta, Central Java, Indonesia and now lives and works in Yogyakarta. He completed his studies at ASRI Yogyakarta in 1983, and at the School of Art and Design, Pratt Institute, New York, USA in 1990. Currently, he is a lecturer at the Faculty of Art, Indonesian Art Institute (ISI) Yogyakarta. He works extensively with bamboo and wood (especially teak wood) as manifestation of his affinities to nature. In addition, he works with bronze and found objects and also creates installation works. His works have been exhibited in Indonesia, the US, Europe, Australia, and Japan and are part of institutional collections, including that of the Indonesian National Gallery, Jakarta and the Langgeng Gallery, Magelang in Indonesia; the Singapore Art Museum, Singapore; the Queensland Art Gallery, Brisbane, Australia; and the City Government of Kitamoto-Shi, Saitama- Ken, Japan. Read the full Ties of History press release here: http://bit.ly/tiesofhistoryPR UP Vargas Museum FB Event Page: Ties of History: Art in Southeast Asia [UP Vargas Museum]
@tiesofhistory #Artists #Profiles AMANDA HENG (b. 1951) began her practice in the late 1980s, an epochal moment in Singapore art history that saw the beginnings of contemporary art, during which she worked in performance, installation, and other multi-disciplinary projects. Her work deals with tensions between Eastern and Western values, traditions, identity politics, and gender roles in the context of the multi-cultural and fast changing society of Singapore. Her recent work focuses on the issues of history, memory, communication and human relationships in urban condition and information age. Amanda Heng is a full-time practitioner. She curates and organises art events and fora, and has lectured at the Nanyang Technological University (NTU), the National Institute of Education (NIE), and the LASALLE College of the Arts. Heng is one of the founding members of the Singapore art collectives The Artists Village and WITAS (Women in the Arts, Singapore). She received the prestigious Cultural Medallion award in 2010. Read the full Ties of History press release here: http://bit.ly/tiesofhistoryPR
@tiesofhistory #Artists #Profiles ROBERTO FELEO (b. 1954) received his Bachelor of Fine Arts degree at the Philippine Women’s University (PWU) in 1982 and studied Art History at the University of the Philippines (UP). He became a fellow at the Virginia Center for the Creative Arts in 1988. He co-founded Pinta Nueve and became the chief designer of the Comite de Festejos. He has exhibited locally and internationally. Feleo is a professor of visual arts at the College of Fine Arts, UP Diliman. He has also served as a lecturer at the School of Fine Arts and Design at the Philippine Women’s University in Manila and at the Philippine High School for the Arts in Makiling, Laguna. Read the full Ties of History press release here: http://bit.ly/tiesofhistoryPR
The proof of concept show of CANVAS - Center for Art, New Ventures & Sustainable Development is on its last two weeks of run. Check our Facebook Events Tab for details of activities happening on Saturday, 21 July.

UPVargasMuseum on Twitter

Advertisements
%d bloggers like this: