2013

Looking for Juan: REVOLUTION, May 31 – June 18, 2013

Looking for Juan: REVOLUTION

Dozens of the country’s artists have been invited to participate and interpret the theme, “REVOLUTION”, as a tribute to Andres Bonifacio on his 150th birth year anniversary.


NAMELESS | Dave Lock, May 31 – June 18, 2013

NAMELESS | Dave Lock

Dave Lock illustrates verses from the 98B COLLABoratory in these works of oil on canvas – all untitled, hence: Nameless. A self-described “optimistic nihilist,” Lock’s work is permeated by his realizations of “an extreme termination to all living and non-living things,” which move from hand to brush to canvas, in fine strokes that illustrate the artist’s careful avoidance of disillusion and depression.


The Last Pine Tree | Kat Palasi, April 25 – May 20, 2013

The Last Pine Tree | Kat Palasi

By using photography to highlight issues that are close to her heart, Kat Palasi’s The Last Pine Tree portrays the face of industry through a story of dispossession. In Palasi’s words, the people of Benguet province have become “disenfranchised by the many ‘development’ projects that have been imposed on them for many decades”.


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BUENVIAJE: An Ode to Good Voyage | Anton del Castillo, 25 April to 20 May 2013

BUENVIAJE: An Ode to Good Voyage | Anton del Castillo

In Buenviaje, del Castillo’s central image is a cattle caravan usually seen peddling native handicrafts in the streets. Del Castillo brings the peddler caravan into the museum as a gesture of deconstruction — from its original form as a utilitarian icon into an objet d’art. Using the cattle caravan as a platform and a metaphor, he puts together the medium and technique that he had used in previous works (gold leaf relief-painting, metal build-up sculpture, assemblage of found objects and video). Buenviaje is hence del Castillo’s ode to a good voyage, the caravan and his art practice. The ‘buenas/good’ largely refers to a harmony of series of choices, events and conditions, rather than plain and simple good fortune.
Curated by Dayang Yraola


Invite 2013_Ganta

Ganta | Diokno Pasilan, 20 March-20 April 2013

Ganta | Diokno Pasilan

A word referring to an act of measuring or signifying a quantity, the title Ganta derives from Pasilan’s appropriation of a local device used to gauge the volume of grain. In this exhibition, the artist transforms the cube-like form of the gantangan into lightboxes evincing images of indigenous houses. These glowing cubes become modules arranged in an installation revealing the artist’s engagement with the material culture of various locales he inhabits.


Invite 2013_Curiosities

Curiosities | Geraldine Javier, 13 February – 15 March 2013

Curiosities | Geraldine Javier

In Curiosities, Geraldine Javier explores the idea and process of collecting as a form of a human-object relationship. It focuses on the ties a collector creates with artifacts, relics and artworks Javier as an artist has collected, a condition that blurs the boundaries between collecting and art production. This relation is further illustrated in the juxtaposition of Madame A’s collection and Jorge Vargas’s memorabilia in the Museum. Their collections are representations of themselves as these objects play out as bearer of agency as construed by the artist.


Invite 2013_Walang Sinasanto

Walang Sinasanto | Emmanuel Garibay, 13 February – 15 March 2013

Walang Sinasanto | Emmanuel Garibay

Walang Sinasanto embraces an entire range of allusions and references that straddle the realms of the mundane and the divine. It can denote the loss of sanctity, deeming no one or nothing sacred; it can also describe a condition where authority and hierarchy are challenged, or imply a condition of social and moral decadence. This set of meanings opens up a rich plane for discourse, which Garibay elaborates on his canvases.


Invite 2013_Pres Office

THE PRESIDENT’S OFFICE, 8 January – 9 February 2013

The President’s Office

It is with consideration for this character of Malacañang as an imaginative blind spot that the participating artists took on the task of representing the Presidential Office. Their construction of the interior features and contents of the Presidential Office are informed by their perceptions of its functions, significations, and history. In turn, as representations that serve as reflections of their own imaginations, the works also function as indices of the expectations, fantasies, and perceived relationships that overlay our collective imaging of the seat of power.
A group show curated by Antares Gomez Bartolome


Invite 2013_Lupa
Lupa: Struggle for Land

Comprising works in various media made by two generations of visual artists, Lupa: Struggle for Land weighs on the states of oppression and exploitation that the peasantry—the country’s most populous social sector—faces. The exhibit looks back on the decades of landlessness, usury, land grabbing by both the colonial and native elite, natural resource plunder, and worsening poverty and their effects on society and the generations to come.


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We open Tumba Tumba Children's Museum of Philippine Art by CANVAS on Tuesday, 19 June 2018 at 4pm. The reception is open to the public. For details, go to our Facebook event page of the project.
Bridges: Mariano Ponce & Jorge Vargas In cooperation with Pambayang Museo ng Baliwag 3F Sensorium, UP Vargas Museum Exhibition Run: 20 June to 27 July 2018 Public Reception: 26 June, Tuesday at 4pm "Bridges: Mariano Ponce & Jorge Vargas" looks into the lives of #MarianoPonce and #JorgeVargas, who both served as representatives of the #Philippinegovernment to Japan in times of uncertainty and turmoil. Ponce was sent as an emissary to Japan in 1898 to explore the #Japanese government’s position in the #UnitedStatesofAmerica’s colonization of the Philippines and impending political power over Asia in the late 19th century, while Vargas, whose position as the Executive Secretary of the #Commonwealth Period made it imperative for him to stay in the country, was sent to Japan as an ambassador in 1943 when the first Philippine Embassy in Japan was established. The exhibition explores the political roles of these two #diplomats during tumultuous times as the Philippines built its sense of nationhood, and sought its independence in light of different forces amidst newly-established governments. "Bridges: Mariano Ponce & Jorge Vargas" will engage the younger audience through its interactive and tactile activities in order to draw the youth to the relevance of history and the creation of a collective identity. This exhibition is part of the year-long programs of the Municipality of #Baliwag and Museo ng Baliwag for the 100th Death Anniversary of Mariano Ponce. Museo ng Baliwag was established in 2017 by the Municipality of Baliwag through the efforts of Mayor Ferdinand V. Estrella to promote and preserve the history, arts, and culture of Baliwag. It serves as the Arts, Culture and Heritage Office of the Municipality that creates and implements programs relating to the promotion, conservation, and cultivation of Baliwag’s historic, artistic, and cultural traditions. For more information, please contact Vargas Museum at (+632) 981-8500 loc. 4024 (UP trunkline), (+632) 928-1925 (fax) or send an email to vargasmuseum@gmail.com.
First LAWAS Public Art collateral event at the UP Vargas Museum Grounds and CAL Lawn on Wednesday, 13 June: Encounters: Performance by Ea Torrado Open to the public | Info: lawaspublicart@gmail.com, 981-8500 loc. 2659/2660 Developed around Agnes Arellano’s suite of goddess sculptures Dakini, Innana, Kali and Magdalene, "Encounters" explores dualities of human existence and is rooted in Ea Torrado’s exploration of dance as emancipatory ritual. In it, dancers descend into the depths of being with the body as channel for the divine. The encounter is coming together of corporal flesh and greater divinity. Agnes Arellano’s goddesses remind us to be rooted - perhaps, that which we frantically seek is in all of us. Choreographer Ea Torrado is the recipient of Alvin Erasga Tolentino Koryograpiya Award in 2014, Remedios De Oteyza Choreography Award in 2016 and Asian Cultural Council Grant in 2017. Her creations manifest in choreographies, film, installation, site-specific work, and improvisational performance. She is the Artistic Director of Daloy Dance Company. Daloy Dance Company interweaves dance, theatre and improvisation to create daring and evocative contemporary dance. Since its establishment in 2014, Daloy has made waves in the Manila art scene with critically acclaimed and exceptionally varied body of work. With its strong collaborative thrust, the company has worked with notable visual artists in various museums and galleries in the Philippines, and has enjoyed diverse audiences and performed in a range of dance and art festivals locally and abroad in Japan, Thailand, Korea and USA. LAWAS Public Art runs until August 2018.
The first session of the 2018 Art Workshops by Fernando B. Sena at the UP Vargas Museum Basement resumes on 23 June. Registration is ongoing. The workshops are for kids (8+), teens, and adults. Mr. Sena teaches painting, drawing, still life, portraiture, landscape, and figures. Schedule: 9-11:30am, eight Saturdays For details, please contact Mr. Sena at 376-2196 or 0918-951-9989 or Vargas Museum (Glenn/Linda) at 928-1927 during office hours.
Tumba Tumba Children’s Museum of Philippine Art A Proof of Concept Exhibit CANVAS - Center for Art, New Ventures & Sustainable Development 19 June to 27 July 2018 1F and 3F Galleries UP Vargas Museum UP Vargas Museum, in cooperation with The Center for Art, New Ventures, and Sustainable Development (CANVAS) and with support from Panta Rhea Foundation and Blanc Gallery, presents Tumba Tumba Children’s Museum of Philippine Art on 19 June, Tuesday, 4pm at the 1F and 3F Galleries of the museum. Tumba Tumba Children’s Museum of Philippine Art is CANVAS’ proof of concept exhibit that transforms the Vargas Museum into a study of an actual operating children’s museum complete with a museum shop. Three new books that will also be launching during the exhibition reception (Ipapasyal Namin si Lolo written by Genaro Gojo Cruz and illustrated by Arvi Fetalvero, Ang Aklatang Pusa written by Eugene Evasco and illustrated by Jared Yokte, and Renato Barja’s Children’s Stories, a catalogue based on painter-sculptor Jojo Barja’s art and notes from the stories he gathered from children during his trips) will have dedicated sections that cater to interactive spaces for children. Abubot, a special show made possible with partnership with Resurrection Furniture, will be part of the exhibition. It will feature art works made out of found objects by participating artists such as Aze Ong, Sergio Bumatay III, Art Sanchez, Renz Baluyot, Liza Flores, and more. Interactive installations by Elmer Borlongan, Pam Yan Santos, and Daniel dela Cruz, two murals by Archie Oclos, and a rainbow installation and a scale model presentation of the future site of CANVAS’ Children’s Museum of Philippine Art by the architectural firm Arkisens will also be showcased in the exhibition.
SCHEDULE ADVISORY: The galleries will be closed next week for ingress and renovation. Our offices and library will also be closed on Tuesday, 12 June (Philippine Independence Day) and Friday, 15 June (Eid'l Fitr: Feast of Ramadan). For information, please call 981-8500 local 4024 during office hours.

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