2012

Invite 2012_WatchmenWatching the Watchmen | Ronald Ventura
13 November 2012 – 14 December 2012
GF Lobby and West Wing Gallery

In Watching the Watchmen, Ronald Ventura responds to the form of the bulol of the Cordillera. He re-creates the bulol and presents them as anatomies, tattooed pieces, and CGI-inspired renderings that explore pop and contemporary expression. The bulol as an object mimics the silhouette and substance of toys and collectibles, moving away from its customary reference as an indigenous statuary. According to the New York Times, “Over the past 10 years, Mr. Ventura’s works have explored the role and place of religion in Filipino society, issues of identity and social stereotypes, consumerism and warfare. He often juxtaposes unexpected images — like a large skull with Disney characters; or a clown and a gas mask — to push viewers to question the realities of modern society.”


Invite 2012_Cant go back homeCan’t Go Back Home Again: Santiago Bose in the Family Collection
13 November 2012 – 31 January 2012
3F Landing, North and South Wing Galleries, and Library

For the commemoration of Santiago Bose’s 10th year death anniversary, Can’t Go Back Home Again, Santiago Bose in the Family Collection brings out artworks, illustrated journals, footage of interviews, and documentation from the collection of Bose’s family. This is his first exhibition at the University of the Philippines where he took up Fine Arts.


Invite 2012_Cityzening

Cityzening
11 October to 10 November 2012
GF Lobby, West Wing Gallery and Basement C

Cityzening is an exhibit of contemporary pieces reflecting on citizens as city dwellers. Cityzening is an organic life form of its own, a correspondence between the mental map of the city and the practices of its occupants that arises from various engagements and memories. Artists from Manila, Bangkok, Hong Kong and Singapore impart their notions and experiences of city life, proposing answers to the questions “where do cityzens reside?”


Invite 2012_HandumananHandumanan
11 October to 09 November 2012
3/F South Wing Gallery

A Visayan word synonymous with keepsake, memory, and remembrance, Handumanan evokes images, sites and places, people, and stories of the Visayan region through a diverse gathering of works by contemporary artists from the Visayas, ranging from drawings and paintings, to photographs and video works. Conversing with these artworks are selected pieces from the archives and memorabilia collection of Visayan-born Jorge B. Vargas, featuring literature, folklore, maps, and ethnographic accounts of the region, as well as dictionaries and prayer books in various Visayan languages.


Drawing On Board | Daniel Coquilla
11 October – 09 November 2012
3F North Wing Gallery

Drawing On Board is an installation and performance art project by Coquilla. A salvaged one-piece jeepney overhead suspended from the ceiling of the gallery serves both as his drawing board and installation piece. Inspired by his previous top view or “tingala” paintings about everyday life and street culture, it engages the audience as they gaze up to see the work and their own reflection in mirrors attached to the board. The viewers then become the subjects in this situation while they mirror the people depicted in his “tingala” piece. Furthermore, Coquilla shows his fascination with multimedia techniques by documenting the art process, consisting of a sequence of drawing sessions, with a time-lapse record of work in progress from October 1 to 10, which is open to the public as part of the performance.


Kalayaan | The Center for Art, New Ventures and Sustainable Development
13 June – 30 June 2012
GF Lobby and West Wing Gallery

The Looking for Juan Outdoor Banner Project is an annual project of The Center for Art, New Ventures and Sustainable Development (www.CANVAS.ph) that explores the connection of art and social issues. Now on its fourth year, The Looking for Juan Outdoor Banner Project gathers over 70 Filipino visual artists around the theme “Kalayaan.”


Invite 2012_BlissmarketBliss Market
17 May – 09 June 2012
GF Lobby and West Wing Gallery

Bliss Market: Exchange in Time | Space of Transience gathered together a diverse set of artists tasked to intervene in U.P. Bliss as space and community, currently in the throes of neglect, constantly being reimagined by memory and nostalgia.

A project of J Pacena II, Bliss Market takes the central symbol of the old Bliss Mart that used to be grocery and community center of the U.P. Bliss of his childhood. Now just structural ruins, the Bliss Mart is not only memory but also fact: here lies a vestige of a community that could be brought together by common spaces of exchange, both literal and figurative, neighborly and otherwise. That this isn’t true anymore, different as the landscape has become, where childhood leisure has become more about staying in instead of inhabiting the outside, and the individual has rendered community less important, is the current state of U.P. Bliss.


Drawing | Jose Legaspi
8 May to 16 June 2012
3F South Wing Gallery

Jose Legaspi presents a suite of small drawings and two large portraits in his continuing reflection on how it is to intuit the structure of feeling for the self as revealed in a particular state or stance and amid the hectic details of visions of the world.


A&L: The parallel (lives) museum | Alice and Lucinda
29 March to 2 May 2012
3F South Wing Gallery

Not so long ago, Alice and Lucinda became conspirators in alternative self-representations via D-I-Y operations whose works take place in the social realm of urban Manila and the lo-fi art community. Yasmin Sison and Lena Cobangbang are co-generators of ideas in the state of perpetual flux in the days of Generation X, indie pop and alternative icons. Together, they create the alias “Alice and Lucinda” and their debut exhibit The Incredible Lives of Alice and Lucinda took place at Surrounded By Water in Angono in 1999.

A coinciding exhibition at mo_space with emerging artists Catalina Africa and Maria Jeona Zoleta (March 20 – April 15) ran simultaneously with this exhibition, where new post-feminist art found itself in an expanded field of artistic practice.


Tagalog at Taga-ilog | Roberto M. A. Robles
08 March to 27 April 2012
GF Lobby and West Wing Gallery

This exhibition focuses on the convergence between the museum’s milieu and the artist’s sculpture. The inspiration of this project is Saluysoy, Robles’s retrospective held last year, which means “wellspring”. Tagalog at Taga-ilog explores the resonance of the term through sculptures, maquettes, drawings and poetry in the wider discourse of identity and landscape.


Revisiting Modernity | Urban Legend
3/F Galleries
23 February 2012

Archival photographs from the collection of the Sentro ng Arkitekturang Filipino probe the building projects initiated by the Marcos regime in Revisiting Modernity to project an image of progress and national renewal. Through various images, the exhibition presents how the Marcos administration consciously utilized state architecture to legitimize its authoritarian regime and propagate the myth of modernity among its subjects.


SANDATA | Lirio Salvador
19 January to 25 February 2012
GF Lobby and West Wing Gallery

Salvador utilizes everyday and industrial materials such as bowls, bicycle gears, stainless steel pipes, utensils, and discards to form musical instruments. Wanting to own a guitar, he improvised his first stringed instrument when he was a teenager with meager resources. This innovation has become part of his life-long artistic process. Carefully composing these elements to craft pieces that are both decorative and modern, the artist distills the notion of the everyday by reconstructing seemingly banal objects into new forms, translating their meanings.

Advertisements

Discussion

No comments yet.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Follow us on Instagram

Devour | Fish Talks is a roundtable discussion among humans on anything about fish, from experiential, anthropological, ecological, scientific, or philosophical perspectives. The activity is open to public participation at the 3F North Wing Gallery of Vargas Museum. Participants are enjoined to bring and sit on their own chairs during the discussion. The chairs can be received by the museum prior to the day and may be kept with the participants' consent as part of the "Fish Talks" artwork until 1 December.

For this event, we invited Dr. Rhodora Azanza, and Dr. Arnel “AA” Yaptinchay.

Dr. Rhodora Azanza (fondly known as The Red Tide Lady) is a Professor Emeritus at the Marine Science Institute, and first woman Dean of the College of Science, University of the Philippines. She is an Academician of the National Academy of Science and Technology (NAST), and she was among the eleven awardees honored by the UP Alumni Association with Lifetime Distinguished Achievements in 2013. She received the Department of Science and Technology (DOST) Outstanding Research and Development Award for Applied Research/ Julian A. Banzon Medal for her projects that aimed to develop technology for the detection and mitigation of Harmful Algal Blooms (HABs) or red tides in 2014. She was presented with the 2015 Pantas Award by the DOST’s Philippine Council for Agriculture, Aquatic and Natural Resources Research and Development (PCAARRD), and served as the former Assistant Vice President for Academic Affairs (Linkages), and the director of the Office International Linkages of the university. 
Dr. AA Yaptinchay has been involved in marine biodiversity conservation in the Philippines for over twenty years. He is the director and founder of the conservation NGO, Marine Wildlife Watch of the Philippines after having worked with the Department of Environment and Natural Resources-Biodiversity Management Bureau as a biologist and WWF-Philippines as their Species Conservation Program Director. He has a Doctor of Veterinary Medicine Degree from the University of the Philippines and earned his Master’s Degree in Aquatic Tropical Ecology from Bremen University, Germany. Devour | Katti Sta. Ana at the 3F Galleries runs until 1 December 2017. For tours, please send an e-mail to vargasmuseum@gmail.com. We will have two activities at the exhibition next week. Check our Facebook for more details. ADVISORY: The museum will be closed on Monday as usual, and on Tuesday and Wednesday due to the ASEAN 2017 non-working holidays. We resume operations on Thursday, 16 November. We thank Dr. Judy Taguiwalo and Renz Lee for Green Go Home: The Necessity of Protest yesterday. Lisa Ito will be moderating another conversation, Green Go Home: From Aklasan to Bungkalan with Angie Ipong and Iggy Rodriguez next Friday, 17 November. Grrrl Gang Manila joins the Green Go Home project through a Grrrl Meet #5! on 18 November. Please check the event pages for updates and resources. DEVOUR by Katti Sta Ana is on view at the 3F Galleries until 1 December 2017. We thank everyone who attended the evening reception. The exhibition at the Vargas coincides with Paglulual International Ceramic Art Project 2017 at the U.P. College of Fine Arts.

The evening reception was graced by a performance by Boyet De Mesa and Rabu Barroco based on the Sta. Ana's Dog-Eat-Dog pieces. 
Other activities for the show:

21 Nov, TUESDAY, 9am-5pm

Collaborative wall drawing session at the Dog-Eat-Dog area of North Wing Gallery with Manuel Heraña, Boyet Montejo, Ritchie Rodulfo, and Kevin Roque (selected UP College of Fine Arts freshmen)

24 Nov, FRIDAY, 2-4pm

FISH TALKS: a roundtable discussion of humans on anything about fish from experiential, anthropological, ecological, scientific, or philosophical perspectives. This is open to the public. Participants are enjoined to bring and sit on their own chairs during the discussion. The chairs can be received by the museum prior to the day and may be kept with the participants' consend as part of the Fish Talks artwork until 1 December, as symbols of persons' stakes on the issue. 
DEVOUR PROJECT TEAM:

Artist Apprentices: Pam Quinto, Jezzel Lorraine Wee, Raffy Ugaddan, and Raymond Escoto Carlos

Artist Volunteers:

Rosa Mirasol Melencio, Lui Gonzales, Aileen Viñas, Zee Aquilizan, Precious Pareño, and Raha Rodriguez 
Special thanks from the artist are given to Jose Tence Ruiz, Reynel dela Rosa, Marco Rosario, Rita Badilla-Gudino, Leo Abaya, Yasmin Almonte Lantz, Rey Concepcion, Penny Bencito, Froilan Sta. Ana, and Roberto Acosta. Do We Dream Under The Same Sky?

From #TomasVu and #RirkritTiravanija's Green Go Home project at the 1F Galleries. Later at 3pm, visual artist Renz Lee and former DSWD Secretary Dr. Judy Taguiwalo initiate a conversation titled "The Necessity of Protest." Lisa Ito will moderate the activity.

#Repost @darylfabellon

UPVargasMuseum on Twitter

%d bloggers like this: