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Christmas Eve, Emilio G. Santiago, 1942

“Christmas Eve, Emilio G. Santiago, 1942” follows through the Art History Series that tries to curate works of the Vargas Museum according to art-historical methods. Earlier efforts zeroed in on the thematic, monographic, and diachronic approaches. Continue reading

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BEYOND MYSELF: Filipino Migrants’ Investments in Philippine Futures

Beyond Myself explores Filipino migrants’ aspirations for and investments in their own and others’ futures in the Philippines. Specifically it draws on and curates art works and visual images produced mainly through a series of participatory workshops with Filipino migrants living and working in London and Hong Kong. The arts based workshops enabled participants, mainly Filipino care and domestic workers, to reflect on the different meanings of development and their contributions. Continue reading

Living Architecture Exhibition at Vargas Museum

Living Architecture Exhibition is intended to raise awareness on the relationship between architecture and the natural, social and cultural life which it is part of. By showcasing various projects from four phases within the search for “Living Architecture” and engaging the audiences with two outdoor installations by Filipino artists Junyee and Indy Paredes at the Vargas Museum, Living Architecture Exhibition aims to adhere to a more sustainable and life-oriented approach to architecture. Continue reading

DEVOUR | Katti Sta. Ana

UP Vargas Museum opens Katti Sta. Ana’s exhibition titled Devour on 3 November, Friday at the 3F Galleries of the museum. Reception of the show will happen on 9 November, Thursday at 6pm. For the latest information regarding the show, please check the exhibition’s Facebook event page. Continue reading

GREEN GO HOME

Green Go Home Tomas Vu and Rirkrit Tiravanija with Buen Abrigo, Mike Adrao, Renz Lee, Gabby Nazareno, Archie Oclos, Iggy Rodriguez, and Jo Tanierla 13 Oct–18 Nov 2017 at the 1F Galleries | Opening reception on 13 Oct (Friday) at 4pm Described as “social sculpture,” the project dwells on, magnifies, and renders the gesture of … Continue reading

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