3F Galleries, 3F Sensorium, Art, UP Vargas Museum

Visualizing Sound | Gerardo Tan, Felicidad Prudente, and Sammy Buhle

Visualizing Sound
9 February to 7 March 2019
Opening reception: 9 February (Saturday) at 6pm, open to the public
3F Galleries
UP Vargas Museum

Visualizing Sound is an exhibition that presents the collaboration between artist Gerardo Tan, musicologist Felicidad A. Prudente, and master weaver Sammy Buhle. The exhibition reflects on the translation of forms through the work Rendering, a video and audio documentation notated in modern sound symbols, which are then translated into visual images, and in turn interpreted in textile by the ikat method. Complementing this is another work by Tan titled Speaking in Tongue (inspired by an indigenous chant from Kalinga called sogna) that tries to articulate the production of vocal sounds resonating from a singer’s mouth. Thus, the exhibition Visualizing Sound becomes an intersection of modes rooted in tradition and enriched in multidisciplinary contexts.

Acknowledgements:
Fernando and Angelina Buhle of Hingyon, Ifugao
Indag-an Primary Multipurpose Cooperative of Miag-ao, Iloilo
Jose Nierves of Miag-ao, Iloilo.
Jose Pangsiw of Tabuk, Kalinga
Felistina Pangsiw of Tabuk, Kalinga
Myrna Pula of Lake Sebu, South Cotabato
Dr. Analyn Salvador-Amores of UP Baguio
Jun Sabayton
Rendering music performers – Christine de Vera, Teresa Fernandez, Karen Francisco,
Luisito Ilagan, Precious Lagatic, Tusa Montes, Felistina Pangsiw, Leo Rempola,
Carlos Miguel Sta. Maria, and April Sta. Maria-Villasquez

FB Banner VS_Tan w VM address.jpg

Gerardo Tan works across media from painting, photography and artists books to video and found objects in room-sized installations. His materials range from traditional ones like oil, acrylic and digital prints on canvas to the commonplace and the found like dust, mirrors, bundy clocks, asphalt and live chickens. Tan’s works deal with issues of representation and conceptual plays. He often appropriates reproduced images from the world of art and from mass-media using a variety of media in order to subvert hierarchies and give way to new itinerant meanings. He is a graduate of the State University of New York at Buffalo (SUNY) and the University of the Philippines (UP). He has lectured at the art departments of UP, University of the East (UE) and Kalayaan College. His group exhibitions include the 1st Manila Biennale, Bastards of Misrepresentation in New York, Berlin and Bangkok, the First Melbourne Biennale, the 3rd Asian Art Biennial Bangladesh at Osmani Memorial Hall in Dhaka, the 2nd Asian Art Show at the Fukuoka Art Museum in Japan. Solo exhibitions include Doppelgangers in Taksu, Singapore and Malaysia, Sight Unseen in Galerie Zimmerman-Kratochwill, Austria, and New Works in Total Galerie, Alliance Francaise de Manille, Philippines. Tan’s honors include a CCP 13 Artists Award, A Fulbright-Hays Grant at SUNY Buffalo, the Barbara Schuller’s Art Associates Award in Buffalo, New York and the Juror’s Choice at the Art Association of the Philippines (AAP) Annual Competition.

Felicidad A. Prudente, Ph.D. is one of the leading Filipino ethnomusicologists in the country today.  Her field of expertise is in indigenous music cultures with specialization in Philippine music. Having conducted field research around the Philippines over the years, Prudente has written and published articles on various aspects of Philippine music such as epic singing, vocal polyphony, and gong culture.  A piano and music education graduate from St. Paul College of Manila, Prudente pursued graduate studies in musicology at the University of the Philippines.  In 1984, she completed her doctoral studies in musicology with emphasis in ethnomusicology at the University of Michigan in Ann Arbor where she was Visiting Professor in 2004. She served as music professor at the University of the Philippines and consultant at the Philippine Women’s University. Currently, she is an active member of the International Council for Traditional Music and its study group on the performing arts of Southeast Asia where she regularly presents her research.

Sammy Buhle belongs to the younger generation of weaving artisans of Ifugao Province. He comes from a family of weavers who taught him the art of weaving at an early age. Born in 1989 in Banaue, he acknowledges his maternal grandmother, Kittayan Niploy, a respected and well-known weaver during her time as well as her mother Angelina Niploy who continues to weave in backstrap loom. His father Fernando Buhle specializes in dyeing and weaves as well. Buhle studied management accounting at St. Mary’s University and accounting at Aldersgate College in Nueva Vizcaya but later pursued his passion in weaving. He now handles the family weaving house which was established in 1982 in Hingyon.  Buhle participates in various textile fairs in Metro Manila where he presentshis ikat cloth, blankets, and other products.

Visualizing Sound runs until 7 March.

For more information, please contact Vargas Museum at (+632) 981-8500 loc. 4024 (U.P. trunkline) or (+632) 928-1927, or send an email to vargasmuseum@gmail.com. You may also check http://vargasmuseum.upd.edu.ph, Facebook and Twitter for updates.

Advertisements

About Jorge B. Vargas Museum

It aims to preserve its collection donated by Jorge B. Vargas and conducts research, exhibitions, publications, and educational programs. The Vargas Museum and Filipiniana Research Center houses a museum, archives, and library devoted to the Philippine history, art, and culture from the late 19th century until the post-war era. Its main beneficiaries are students, faculty, researchers and scholars of the Philippines and Asia.

Discussion

No comments yet.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Follow us on Instagram

ADVISORY: In compliance with the announcement from Chancellor Michael Tan, the museum will be closed today, 23 April 2019. Summer Art Workshop with Mr. Fernando Sena is also suspended today. Inquiries: vargasmuseum@up.edu.ph
ADVISORY: In observance of the Lenten season, the museum will be closed on 17 April, 12 noon to 20 April 2019. Viewing of galleries and office operations will resume on 23 April 2019. Inquiries: vargasmuseum@up.edu.ph
Revisiting the Conservative 2019 Vargas Museum Art History Series Exhibition 3F Galleries 16 April - 15 June 2019 The Vargas Museum returns with its fifth iteration of its Art History Series exhibiting works from the Vargas collection curated based on art historical methods. The series strengthens the museum's efforts to continuously situate and contextualize its collection within today's social setting through the interaction between curatorship and art history. Revisiting the Conservative presents the realist traditions of painting idyllic scenes and themes exploring the Philippine landscape from the 1940s to the 1970s. The conservative as a category marks a particular stylistic tendency in Philippine art history. In terms of source, it can be traced to the academic realism of the nineteenth century that found its most prominent articulation in the exalted works of Fernando Amorsolo. It has been cast as a binary opposite of modernism as advocated by the practice of such artists as Diosdado Lorenzo and Victorio Edades. A body of polemical texts and institutional history sustains this interpretation even as the binary might not hold under a closer reading of the works and a more thoughtful appreciation of the artistic biographies of the practitioners, who slip in and out or even away from art history's order of things. In the possession of the collection of Jorge Vargas is a trove of pieces that exemplifies this conservative disposition. The latter would later be identified, or even conflated, with commercial art sold on Mabini Street, thus the term "Mabini Art". The exhibition scans the shift of realism in Philippine art as well as expressions of the supposed antithesis of the privileged modern. The exhibition consists of works by artists such as Elias Laxa, Romeo Enriquez, Cesar Buenaventura, Crispin Lopez, Serafin Serna, Miguel Galvez, Isidro Ancheta, Antonio Dumlao, Wenceslao Garcia, Gabriel Custodio, Ben Alano, Simon Saulog, and Diosdado Lorenzo. It also features a screening of the film Mga Uod at Rosas (1982), directed by Romy Suzara and written by Edgardo M. Reyes.
The Study Guide for The Nature of the Collection is now available for download: bit.ly/VMStudyGuideNature To view and download Study Guides for 2019, please visit: bit.ly/UPVMStudyGuides2019 The guides are designed for discussions and activities for classes in Humanities, Social Sciences, and other fields related to the exhibitions. It is encouraged that course tutors/teachers have a pre-visit to the exhibitions before the class’s actual visit. The study guides may be reproduced.
ADVISORY: The museum will be closed on 9 April 2019, Tuesday, in observance of Araw ng Kagitingan. However, the workshop area will be open for the 2019 Summer Art Workshop by Fernando Sena. Office operations and viewing of galleries resume on 10 April, Wednesday. Inquiries: vargasmuseum@up.edu.ph
ADVISORY: The museum will close early at 1 PM on 6 April 2019, Saturday for scheduled fumigation of galleries and offices. Interested participants of the 2019 Summer Art Workshop by Fernando Sena are encouraged to complete their registration this week. Office operations and viewing of galleries for next week will resume on 10 April, Wednesday. Inquiries: vargasmuseum@up.edu.ph

UPVargasMuseum on Twitter

Advertisements
%d bloggers like this: