1F Galleries, 3F Galleries, 3F Sensorium, Announcement, Art, Exhibit, Lobby, North Wing Gallery (Landing), South Wing Gallery, UP Vargas Museum, West Wing Gallery (Edge)

Transpersonal, instructions

 

fb banner transpersonal dec 2018 extended 9mar2019

UP Vargas Museum presents Transpersonal, instructions
Exhibition Run: 14 December 2018 – 1 February 2019 
extended viewing until 9 March 2019
Opening Reception: 14 December, Friday at 6pm

The symposium Transpersonal>Postnormal Times will be held from 10:00am to 5:00pm on Saturday, 15 December 2018. Click on the link for registration instructions.

A group exhibition and symposium at the UP Vargas Museum.

Participants include Oreet Ashery, Revital Cohen & Tuur Van Balen, Merlinda Bobis, Patrick D. Flores, Eisa Jocson, The Karrabing Film Collective, Dana Klisanin, Leslie Kulesh, Andy Lacey, Russ Ligtas, Raquel de Loyola, Elizabeth A. Povinelli, Mark Salvatus, Evelyn Toacheng Wang, and César H. Villanueva.

Curated by Dr. Stephen Wilson in conjunction with the University of the Philippines Visiting Professor Program.

Transpersonal proposes to work within the cultural context of Manila as part of a transregional conversation. The term transpersonal relays states of consciousness beyond the limits of personal and artistic identity. These may include peak and spiritual experiences including near-death phenomena, nomophobia and political isolation. Curatorially, transpersonal contains an awareness above the usual remits of individuality brought on by the experience of a social crisis related to spiritual, ethical and relational extremes of art and contemporary life.

Transpersonal, instructions is an evolving transnational research project that engages with public lectures, exhibition making, education, sonic scores and publishing in contemporary art. The exhibition arises from a series of public lectures at the ICA in London on the production of psychotechnologies, cyber addictions, material feminisms, citizenship and bioinsecurity. Within the political and environmental present, discursive forms of governance are seldom disrupted. Confronting neoliberal capitalism involves undoing a deeper canon of the so–called Western narratives of universalization and automation. Transpersonal, instructions encourages a binding thread that resists and resets a world view on uneasiness. It is partly proposing a challenge to the current world order by providing a window into anthropological entanglements, for example those affecting indigenous lives.

Transpersonal activities invite participants to experiment with the boundaries between accepted notions of authorship and audience expectation—to play with the performativity of their roles and rethink the various modes of attention they are setting up. The “instructions” weave together a transpersonal, primary initiative of cultural and transnational exchange, that repeatedly encounter a restless ecology of contemporary art. Transpersonal, instructions looks with particular, collaborative attention, at non-Western difference and under–represented geographies in art like the communities working in the Philippines today.

Transpersonal>Postnormal Times is a one-day symposium held on 15 December and includes public events, lectures, instructions, panel meditations alongside sonic scores in an open exchange. The symposium centres on the changing conditions for artists practising today in Manila and surrounding provinces and those working outside of the Philippines. It will be held in the Jorge B. Vargas Museum and Filipiniana Research Center and will be open to all who register attendance.

Registration can be completed online: http://bit.ly/Transpersonal15Dec

The symposium will feature a keynote presentation from Elizabeth A. Povinelli of the Karrabing Film Collective. Full line-up of speakers and other event details will be posted here.

FB Banner TRANSPERSONAL Sympo.jpg

A dedicated publication will accompany Transpersonal, instructions produced by the Jorge B. Vargas Museum and Filipiniana Research Center in 2019.

Transpersonal, instructions is generously organized in partnership with Patrick D. Flores at the Jorge B. Vargas Museum and Filipiniana Research Center alongside the University of Philippines UP Visiting Professorship Program and the Office of the Chancellor of UP Diliman. It is kindly made possible by the Artists International Development Fund from the Arts Council England and The British Council and with the kind support of the Flemish Authorities and Carol Egan Interiors.

Jorge B. Vargas Museum and Filipiniana Research Center is a center for Philippine art and culture: its main thrusts are research, exhibition and education. It houses the collection of Mr. Jorge B. Vargas (1890–1980), the country’s first Executive Secretary and alumnus of the University of the Philippines. Located in the UP campus, it is also a venue of changing exhibitions and offers spaces for workshops and community arts programs.

Image: Mark Salvatus, Detail from “Museo Banahaw Project,” 2010–ongoing. C-print, 40 x 60 cm. Courtesy of the artist.

unnamed.png

Advertisements

About Jorge B. Vargas Museum

It aims to preserve its collection donated by Jorge B. Vargas and conducts research, exhibitions, publications, and educational programs. The Vargas Museum and Filipiniana Research Center houses a museum, archives, and library devoted to the Philippine history, art, and culture from the late 19th century until the post-war era. Its main beneficiaries are students, faculty, researchers and scholars of the Philippines and Asia.

Discussion

No comments yet.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Follow us on Instagram

Opening reception of Visualizing Sound at the 3F Galleries - 9 February, 6pm Exhibition runs until 16 March 2019. Visualizing Sound is an exhibition that presents the collaboration between artist Gerardo Tan, musicologist Felicidad A. Prudente, and master weaver Sammy Buhle. The exhibition reflects on the translation of forms through the work "Rendering", a video and audio documentation notated in modern sound symbols, which are then translated into visual images, and in turn interpreted in textile by the ikat method. Complementing this is another work by Tan titled Speaking in Tongue (inspired by an indigenous chant from Kalinga called sogna) that tries to articulate the production of vocal sounds resonating from a singer’s mouth. Thus, the exhibition Visualizing Sound becomes an intersection of modes rooted in tradition and enriched in multidisciplinary contexts. The Vargas Museum Education Guide for the show can be downloaded via link over at our Facebook page.
Vargas Museum Education Guides for our February 2019 exhibitions are now available online. The study guides are designed for discussions and activities for classes in Humanities, Art Studies, Anthropology, Fine Arts, Cultural Studies, History, Political and other Social Sciences. It is encouraged that course tutors/teachers have a pre-visit to the exhibition before the class’s actual visit. The education guides may be reproduced. For pre-visits and tours, please inquire via vargasmuseum@gmail.com. Go to our Facebook profile page for the links!
Now at the 3F Galleries: Opening reception of Visualizing Sound by Gerardo Tan, Dr. Fe Prudente, and Sammy Buhle. Open to the public!
"Letter from a Mermaid to His Father" by Russ Ligtas is currently installed at the 3F Landing for "Transpersonal, instructions" exhibition which is on extended view until 9 March 2019. Russ Ligtas studied Painting at the University of the Philippines Cebu. Currently based in Manila, his performed personalities "operate via autobiographical intermedia forms combining action, artifact, and chance" as presented in the following sites and engagements: Visayas Biennale, Fringe MNL Festival, the Cultural Center of the Philippines (CCP), Bangkok Gay and Lesbian Film Festival, Spielart Festival in Munich, and more. He was a mentor at ARTery Artist Mentorship Program in 2015 and was also a fellow at the Iligan National Writers Workshop and the Cornelio Faigao Memorial Writers Workshop. He played the lead role in the film "Miss Bulalacao" in 2015. In 2016, he received the Alvin Erasga Tolentino Choreography Award and the CCP’s Koryolab grant. He spent a few months in New York in 2018 as an Asian Cultural Council Fellow.
Visualizing Sound by Gerardo Tan, Dr. Fe Prudente, & Sammy Buhle opens tonight at 6pm! Everyone is invited. #textile #fabric #music #translation #indigenous #contemporary
Visualizing Sound by Gerardo Tan, Dr. Fe Prudente, and Sammy Buhle opens TOMORROW, 9 February, Saturday at 6pm. Everyone is invited to the reception. For more information, please contact 928-1927 during office hours.

UPVargasMuseum on Twitter

Advertisements
%d bloggers like this: