1F Galleries, Art, Artist Talk / Walk-Through, UP Vargas Museum

RITUALS OF INVASION AND RESISTANCE | Norberto Roldan

RITUALS OF INVASION AND RESISTANCE
Survey of Installation Works 1992-2017
Norberto Roldan
2 September to 5 October 2017
1F Galleries
UP Vargas Museum

UP Vargas Museum, in cooperation with Silverlens, opens Rituals of Invasion and Resistance, a solo exhibition by Norberto “Peewee” Roldan at the 1F Galleries on 2 September, Saturday, at 6 in the evening. A walk-through of the show happens at 4:30pm.

Rituals of Invasion and Resistance presents works in installation of the artist from different periods in his career, be it in their original forms, in new iterations or as reconstructions. Together for the first time, the installations reveal the backbone of Roldan’s body of work, straddling between contemporary art and material culture. The works negotiate the boundaries of life and art, history and critique.

Norberto Roldan (b. 1953) is a visual artist whose practice is rooted in social, political and cultural commentary surrounding everyday life, history and collective memory. He received his Bachelor of Arts in Philosophy from St. Pius X Seminary, Bachelor of Fine Arts in Visual Communications, and Master of Arts in Art Studies, both at the University of the Philippines. He initiated the Visayas Islands Visual Arts Exhibition and Conference (VIVA EXCON) in 1990, and co-founded Black Artists in Asia in 1986. He is currently the artistic director of Green Papaya Art Projects. He has been a consistent finalist and Juror’s Choice (1998) for the Philip Morris Philippines Art Award. He is represented in several landmark surveys of Southeast Asian contemporary art: New Art from Southeast Asia 1992, Fukuoka Asian Art Museum (1992); Negotiating Home History and Nation: Two Decades of Contemporary Art in Southeast Asia 1991-2011, Singapore Art Museum (2011); No Country: Contemporary Art For South/Southeast Asia, Solomon R Guggenheim Museum (2012); Between Declarations & Dreams: Art of Southeast Asia Since the 19th Century, National Gallery Singapore (2015); and, Sunshower: Contemporary Art from Southeast Asia 1980s to Now, National Art Centre Tokyo and Mori Art Museum (2017). He is also represented in two current Philippine exhibitions: Passion and Procession: Art of the Philippines, Art Gallery of New South Wales (2017); and, Philippine Art: Collecting Art, Collecting Memories, Asian Art Museum-San Francisco (2017).

Rituals of Invasion and Resistance runs until October 5.

For more information, please contact Vargas Museum at (+632) 928-1927 (telefax), (+632) 981-8500 loc. 4024 (UP trunkline) or send an e-mail to vargasmuseum@gmail.com. You may also check our website at http://vargasmuseum.upd.edu.ph/ or like us at http://facebook.com/vargasmuseum.upd and follow us at Twitter and Instagram @UPVargasMuseum for updates.

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About Jorge B. Vargas Museum

It aims to preserve its collection donated by Jorge B. Vargas and conducts research, exhibitions, publications, and educational programs. The Vargas Museum and Filipiniana Research Center houses a museum, archives, and library devoted to the Philippine history, art, and culture from the late 19th century until the post-war era. Its main beneficiaries are students, faculty, researchers and scholars of the Philippines and Asia.

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Happening next Thursday at the UP Vargas Museum: #BAPArtistTalk with @hitmaangurung and @sheelasha_rajbhandari • RSVP: vargasmuseum@up.edu.ph | 928-1927 • Kathmandu-based Hit Man Gurung and Sheelasha Rajbhandari are members of ArTree Nepal, an artist collective whose varied interdisciplinary practices are grounded in social practice, particularly responding to some of the most pressing social-political issues in Nepal including mass migration and women’s rights, among others. The artists will speak about their individual practice as well as how their collaborative work through ArTree Nepal with different individuals, including artisans, engineers, and writers initiates strategic grassroots interventions with the goal of fostering and empowering marginalized communities. • This talk is organized by @bellasartesprojects in partnership with @upvargasmuseum.
ADVISORY: UP Vargas Museum will be closed early at 4 PM today, 16 March 2019, for an event. Inquiries: vargasmuseum@up.edu.ph
Transpersonal, instructions closes today at 5pm. We thank everyone for visiting the exhibition. Image: Karrabing Collective Graffiti Dreaming #3 2018, Spray Paint on steel Kaingemerre (Sun) Penidjebhe (Star) Dreaming#2 2018, Installation
Vargas Conversations on Visualizing Sound Exhibition with Gerardo Tan, Dr. Felicidad A. Prudente, Sammy Buhle and Dr. Norma A. Respicio 14 March 2019, Thursday, 2:30 pm 1F Galleries UP Vargas Museum presents a conversation between Gerardo Tan, Felicidad Prudente, and Norma Respicio on the exhibition Visualizing Sound on March 14, 2019 at 2:30 pm at the 1F Galleries. Visualizing Sound is a collaborative exhibition which presents works between artist Gerardo Tan, musicologist Felicidad A. Prudente, and master weaver Sammy Buhle. The exhibition reflects on the translation of forms through the work Rendering, a video and audio documentation notated in modern sound symbols, which are then translated into visual images, and in turn interpreted in textile by the ikat method. Complementing this is another work by Tan titled Speaking in Tongue (inspired by an indigenous chant from Kalinga called sogna) that tries to articulate the production of vocal sounds resonating from a singer’s mouth. Thus, the exhibition Visualizing Sound becomes an intersection of modes rooted in tradition and enriched in multidisciplinary contexts. Join us as we create a broader understanding of how traditions and the contemporary setting harmonize through various forms of art. With exhibiting artist Gerardo Tan and Felicidad Prudente, together with insights from Norma A. Respicio who specializes in traditional art forms focusing on textiles, participate in learning transcribing from woven fabrics, articulating performance by presenting visuals, and portraying traditions through sound. Vargas Conversations: Visualizing Sound is free and open to the public. For more information, please contact Vargas Museum at (+632) 981-8500 loc. 4024 (U.P. trunkline) or (+632) 928-1927, or send an email to vargasmuseum@up.edu.ph. You may also visit http://vargasmuseum.upd.edu.ph, like us on Facebook (fb.com/vargasmuseum.upd), and follow us on Twitter (@upvargasmuseum) for updates. Exhibition is extended until March 30, 2019 https://www.facebook.com/events/344010069548140/
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On 22 February 1987, the Jorge B. Vargas Museum and Filipiniana Research Center was formally inaugurated. Today, UP Vargas Museum celebrates 32 years of museum work.

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