1F Galleries, Lobby, Performance, UP Vargas Museum, West Wing Gallery (Edge)

DANCING THE SHRIMP: The Tactical Improvisation of Postcolonial Space Mix | Jon Cuyson

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DANCING THE SHRIMP
(The Tactical Improvisation of Post Colonial Space Mix)

Jon Cuyson

1F Galleries
11 August – 15 September 2016

Vargas Museum is pleased to present Dancing The Shrimp (The Tactical Improvisation of Postcolonial Space Mix) opening on August 11, 2016 at 4 pm at 1F Galleries. The exhibition features Jon Cuyson’s new works of fragmented installations that combine painting, sculpture, sound, photography, performance and scenography. Jon Cuyson transforms the entire ground floor of the Vargas Museum into a space in flux, slipping between abstraction, figuration, ready made, still life and movement. Cuyson is interested in the appropriation and re appropriation of found texts, images and objects and their underlying social and psychological significations through the insertion of fiction and personal subjectivities as a means of destabilizing our perception of time, memory and space.

The artist’s investigation of the 19th century Filipino settlement in the bayous of Louisiana led him to an image of settlers laboring under the sun removing shrimp shells using their feet referred to as “Dancing The Shrimp”. This found document serves as the point of departure for the exhibition. Interwoven in the exhibition is the narrative of the fictional character “Kerel”, a trans Filipino seafarer who travels back and forth time further complicating our understanding of the mechanisms of the past with the present, authenticity and invention. Dancing The Shrimp (The Tactical Improvisation of Postcolonial Space Mix) brings together Jon Cuyson’s interest in the relationship between history, impermanence, migration, and identity formation.

Born and educated in the Philippines, Jon Cuyson has participated in exhibitions in New York and Europe since 2004. His works employ different techniques and media including texts, photographs, drawings, artist books, paintings and installations. Jon Cuyson received a MFA from Columbia University in New York City in 2010 and currently lives and works in Manila, Philippines.

For more information, please contact Vargas Museum at (+632) 928-1927 (direct line), (+632) 981-8500 loc. 4024 (UP trunk line), (+632) 928-1925 (fax) or send an e-mail to vargasmuseum@gmail.com.

You may also check our website at http://vargasmuseum.upd.edu.ph/ or like us at http://www.facebook.com/vargasmuseum.upd and follow us at Twitter and Instagram @UPVargasMuseum for updates.

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About Jorge B. Vargas Museum

It aims to preserve its collection donated by Jorge B. Vargas and conducts research, exhibitions, publications, and educational programs. The Vargas Museum and Filipiniana Research Center houses a museum, archives, and library devoted to the Philippine history, art, and culture from the late 19th century until the post-war era. Its main beneficiaries are students, faculty, researchers and scholars of the Philippines and Asia.

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CANVAS - Center for Art, New Ventures & Sustainable Development and UP Vargas Museum will be holding a storytelling activity on FRIDAY, 20 JULY 2018 at 4pm, together with the Araneta Foundation and Bb. Pilipinas Charities Inc. The first 80 kids to register (for free) at Vargas Museum will receive copies of Karapat-Dapat, a book on the rights of the child. Regular entrance fee for adults/parents apply. Viewing of Tumba Tumba exhibition is extended until 6pm for this event. 21 JULY (SATURDAY) events: 1) Tumba Tumba Free Book Day for first 500 children of U.P. employees, until supply lasts 2) Tumba Tumba activity: The Author's Hour 2 with Genaro Gojo Cruz at 1:30pm
July 18, Wednesday: In compliance with U.P. memorandum received before noon, the museum is closed this afternoon. Stay alert and safe. Please check our Facebook page for the latest news and announcements.
@TiesofHistory #Artists #Profiles: ANUSAPATI (b. 1957) was born in Surakarta, Central Java, Indonesia and now lives and works in Yogyakarta. He completed his studies at ASRI Yogyakarta in 1983, and at the School of Art and Design, Pratt Institute, New York, USA in 1990. Currently, he is a lecturer at the Faculty of Art, Indonesian Art Institute (ISI) Yogyakarta. He works extensively with bamboo and wood (especially teak wood) as manifestation of his affinities to nature. In addition, he works with bronze and found objects and also creates installation works. His works have been exhibited in Indonesia, the US, Europe, Australia, and Japan and are part of institutional collections, including that of the Indonesian National Gallery, Jakarta and the Langgeng Gallery, Magelang in Indonesia; the Singapore Art Museum, Singapore; the Queensland Art Gallery, Brisbane, Australia; and the City Government of Kitamoto-Shi, Saitama- Ken, Japan. Read the full Ties of History press release here: http://bit.ly/tiesofhistoryPR UP Vargas Museum FB Event Page: Ties of History: Art in Southeast Asia [UP Vargas Museum]
@tiesofhistory #Artists #Profiles AMANDA HENG (b. 1951) began her practice in the late 1980s, an epochal moment in Singapore art history that saw the beginnings of contemporary art, during which she worked in performance, installation, and other multi-disciplinary projects. Her work deals with tensions between Eastern and Western values, traditions, identity politics, and gender roles in the context of the multi-cultural and fast changing society of Singapore. Her recent work focuses on the issues of history, memory, communication and human relationships in urban condition and information age. Amanda Heng is a full-time practitioner. She curates and organises art events and fora, and has lectured at the Nanyang Technological University (NTU), the National Institute of Education (NIE), and the LASALLE College of the Arts. Heng is one of the founding members of the Singapore art collectives The Artists Village and WITAS (Women in the Arts, Singapore). She received the prestigious Cultural Medallion award in 2010. Read the full Ties of History press release here: http://bit.ly/tiesofhistoryPR
@tiesofhistory #Artists #Profiles ROBERTO FELEO (b. 1954) received his Bachelor of Fine Arts degree at the Philippine Women’s University (PWU) in 1982 and studied Art History at the University of the Philippines (UP). He became a fellow at the Virginia Center for the Creative Arts in 1988. He co-founded Pinta Nueve and became the chief designer of the Comite de Festejos. He has exhibited locally and internationally. Feleo is a professor of visual arts at the College of Fine Arts, UP Diliman. He has also served as a lecturer at the School of Fine Arts and Design at the Philippine Women’s University in Manila and at the Philippine High School for the Arts in Makiling, Laguna. Read the full Ties of History press release here: http://bit.ly/tiesofhistoryPR
The proof of concept show of CANVAS - Center for Art, New Ventures & Sustainable Development is on its last two weeks of run. Check our Facebook Events Tab for details of activities happening on Saturday, 21 July.

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