3F Galleries, Announcement, Artist Talk / Walk-Through, Exhibit

THE RECONCILIATION OF MAGIK SALAP (A TRIPTYCH)

MAGIK SALAP PHOTO

THE RECONCILIATION OF MAGIK SALAP (A TRIPTYCH)

Sharon Estacio with Giovanna Rovedo

IT’S ALL RELATIVE
Guest artists: Sheila E. Dennis, forensic biologist, with
Jinggo Montenejo, freelance photographer, jinggomontenejo.com

Francisco A. Datar, anthropologist, University of the Philippines Diliman

Jacob Maentz, freelance photographer, jacobimages.com, Katutubong Filipino Project katutuboproject.org

Alison Domzalski, freelance photographer, former forensic biologist, alisondomzalski.com

Part I: World Premiere

3F Galleries
Vargas Museum
UP Diliman

April 7-10, 2015

UP Vargas Museum presents the First Part: World Premiere of the Knitsisters production titled The Reconciliation of Magik Salap (A Triptych). It runs from April 7 to April 10 at the 3F Galleries.

The Reconciliation of Magik Salap (A Triptych) showcases the first of three documented dance journeys of Sharon Estacio and Giovanna Rovedo that incorporate audio, video and live performance. Estacio and Rovedo aim to use contemporary dance and holistic health to rediscover what it means to be a Filipino in different parts of the world. Their journey to the Cordillera Mountains with the Kalinga community in the northern Philippines marked the first step towards their research connecting America, the Philippines and Italy. Estacio and Rovedo conducted a cultural exchange and immersion where they interacted with the indigenous peoples of the Philippines and dance students of Filipino local universities.
The artists are opening their creative laboratory and continued research to the public, placing themselves on display in the 3F galleries, in real time during viewing hours throughout the course of the week. Visitors will have the possibility of entering the residency space and interacting with the artists.

Science and art merge in this exhibit. The DNA Analysis Laboratory, Natural Sciences Research Institute, University of the Philippines (UP-NSRI-DAL) and the Forensics and Ethnicity Program of the Philippine Genome Center has spearheaded population genetics works in the Philippines to study the genetic diversity of Filipinos and applications for forensic science. It’s All Relative is a realization that people are interconnected-socially, culturally, and historically. Genetics show we are the same as people but diverse as individuals. This special exhibit features portraits of the UP-NSRI-DAL scientists by photographer Alison Domzalski superimposed with their DNA sequences obtained via next generation sequencing. Complementing these portraits are selected images of the Philippines’ indigenous peoples such as the Mangyan of Mindoro by photographer Jacob Maentz, the Ivatan of Batanes by anthropologist Dr. Francisco Datar, and the Kalinga of the Cordillera Mountains by photographer Jinggo Montenejo.

Sharon Estacio is a Filipino American dance artist, teacher and AADP certified holistic health practitioner currently based in Florence, Italy. A native New Yorker, she trained at the Manhattan Ballet School, Inc. on scholarship and the Alvin Ailey American Dance Center on fellowship. She was an Honors Scholar in Dance at FH LaGuardia HS of Music & Art and the Performing Arts and graduated magna cum laude with a Bachelor of Arts in Dance from New York University’s Tisch School of the Arts, where she was honored with the JS Seidman Award. A performer since 1998, she has worked with an amalgam of artists and dance companies in the US and Italy, touring and teaching across America and Europe. As a dance artist in NYC, her previous works include commissions by Aaron Davis Hall, Mulberry Street Theater with the Jerome Foundation, Lower Manhattan Cultural Council and Women in Motion: Blueprint (Estrogenius Festival NYC). Her work has also been presented at Danspace Project/St. Mark’s Church, Joe’s Pub (DanceNOW[NYC]), Dixon Place, Jacob’s Pillow, La MaMa, WAX and others. She has been an artist-in-residence at the Dragon’s Egg (CT), Earthdance (MA) in the US and DiD Studio/ Fabbrica del Vapore (MI) and Teatro della Limonaia (FI) in Italy. sharonestacio.com

Giovanna Rovedo is an Italian dance artist and cultural anthropologist. She graduated in Contemporary Dance from the National Dance Academy (Rome) with an anthropological thesis about the necessity of ritual dance in American-Indian Culture. She has worked with various companies and different projects in Europe (Umbra-Solis, Whycompany, Evidance, Dimensionen Collective, Aphonos) between 2010-2015. In 2012, she started her first solo project Località Presa 1 and since then has presented it in Naples, Kaikala, Berlin and Perugia. She also received her degree in Cultural Anthropology from La Sapienza University (Rome). In 2013, she went to Kolkata (India) for her project Kaikala Lab, where she shared her dance piecé Località Presa 1 with local children to connect India with her birthplace, Italy. Recently, her video Nuovo Valzer Cimoliano was selected to participate in the festival Giovani Delle Dolomiti 2014. She is also a contemporary dance teacher. giovannarovedo.com

Sheila Estacio Dennis, forensic biologist, is currently a Fulbright Scholar and Researcher in residence at the DNA Analysis Laboratory, Natural Sciences Research Institute at the University of the Philippines, Diliman.   This photographic collaboration is based on her molecular approach to forensic science and ethnicity the past 5 months. She was the Assistant Director for the Department of Forensic Biology of the New York City Office of Chief Medical Examiner. After the occurrences of 9/11 World Trade Center attacks and the American Airlines Flt. 587 crash in November 2011, Sheila was reassigned to the World Trade Center Special Projects Team where she performed DNA testing on challenging samples from the unidentified human remains from the World Trade Center Disaster as well as performed DNA testing on victim reference samples and familial exemplars. Sheila graduated from New York University with a Bachelor of Arts in Physical Anthropology and subsequently completed her Master’s Degree in Forensic Science at the University of New Haven in West Haven, CT. She resides with her husband, two children, and 2 fighting fish in northern New Jersey but is still a native New Yorker and Filipina at heart.

This production has also been made possible by the Jorge B. Vargas Museum and Filipiniana Research Center, University of the Philippines, Diliman in Manila, Philippines (Phase I), the Filipino American Museum (FAM) in NYC, USA (Phase II) and generous supporters.

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About Jorge B. Vargas Museum

It aims to preserve its collection donated by Jorge B. Vargas and conducts research, exhibitions, publications, and educational programs. The Vargas Museum and Filipiniana Research Center houses a museum, archives, and library devoted to the Philippine history, art, and culture from the late 19th century until the post-war era. Its main beneficiaries are students, faculty, researchers and scholars of the Philippines and Asia.

Discussion

One thought on “THE RECONCILIATION OF MAGIK SALAP (A TRIPTYCH)

  1. It is another way in showcasing talents of the people of Kalinga. It is a remarkable way to interact with the indigenous people, in their way of living and culture. It is a healthy process and indeed it can help to them. I wish I can communicate with them.

    Posted by Jovelyn | June 26, 2015, 6:27 pm

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Green Go Home featured artist: MIKE ADRAO

Initiated by Tomas Vu and Rirkrit Tiravanija, the project collaborates with seven contemporary Filipino artists. Mike Adrao creates an image based on a photograph from Bulatlat.com of the People Surge rally in Tacloban in 2014.

Super Typhoon Yolanda (international name: Haiyan) landed in the Philippine eastern coasts of Leyte and nearby provinces in November 2013. A year after the calamity that killed more than 6,000 people, simultaneous rallies happened in Eastern Visayas, Bohol, Zamboanga, and Metro Manila to denounce the government’s ineptitude in giving services and aid. People Surge is an alliance established in Tacloban City on 25 January 2014 by the survivors of the typhoon and it has organized mud walks to commemorate the Yolanda event. Green Go Home by Tomas Vu and Rirkrit Tiravanija is at the 1F Galleries of the Vargas until 18 November 2017. Through collaborations with seven contemporary Filipino artists, images of recent protest actions in the Philippines are drawn on the walls of the Vargas as the exhibition progresses. 
According to Vu and Tiravanija, “the provocation inherent in Green Go Home is positioned against the subtle underlying subtext of U.S. interventions, and colonialist attitudes, towards its neighbors in Latin American from Mexico southwards: an antagonism that has cost many lives and much strife. In the imagery itself, the presence of each character-from films to music to personalities of resistance-reveals itself to the viewer as addressing the condition of the graffiti text. The grid holds up the statement and reinforces the layers of interpretation, readings, and misunderstandings. Green Go Home is meant to be a wall of resisters, and of resistance.” On Saturday, 19 October 2017, the museum will be open as usual with viewing hours from 9am to 5pm. However, please be advised of heavy traffic inside the university campus due to the UPCAT (University of the Philippines College Admission Test). Here are some photos from last Saturday's opening reception of Green Go Home at the 1F Galleries. More photos can be viewed at our Facebook page. #TomasVu #RirkritTiravanija #BuenAbrigo #MikeAdrao #RenzLee #GabbyNazareno #ArchieOclos #IggyRodriguez #JoTanierla #drawing #mural #protestArt #resistance #socialsculpture Here is "Membranes" created by artist-educator Yan Abeledo
for the exhibit ">upgrade | homo sapiens sapiens" currently on view at the 3F Galleries. Thanks to @eyascapes for the photograph. Described as “social sculpture”, Green Go Home dwells on, magnifies, and renders the gesture of protest looming, urgent, and lively in current time and present political life. Conceived by collaborators Tomas Vu and Rirkrit Tiravanija, it has been organised in Colombia, the United States and Spain. This year, Green Go Home goes to UP Vargas Museum. Through collaborations with contemporary Filipino artists, images of recent protest actions in the Philippines will be drawn on the walls of the Vargas as the exhibition progresses. The exhibit seeks to review our notions of history by contributing a specific history of protest through interactions with the audience. The Vargas develops a timeline of protests to be accompanied by discussions as an integral part of the exhibition.” Mike Adrao’s artwork is based on a photograph of People Surge Tacloban published in Bulatlat.com, 11 November 2014

Green Go Home runs until 18 November at the 3F Galleries. Thanks to @tinawartgallery for the Instagram photograph. Third week of viewing: >upgrade | Homo sapiens sapiens | Yan Abeledo runs until 27 October 2017. The image is an installation shot at the 3F Galleries of two sculptural works titled Adam™ and Eve™ with corresponding printed texts and graphics on sintra boards also created by the artist. The exhibit raises questions on the human body and the ethical interventions on it. The allure of the commercial aspect of this venture may attract visions of the future, yet with it comes uncertainty.

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