Art, Exhibit, North Wing Gallery (Landing), South Wing Gallery

Picturesque

Picturesque
3F Galleries
10 August to 10 October 2013

The UP Vargas Museum opens its first exhibition for the Art History Series on August 10, 2013 titled Picturesque at the 3F Galleries of the museum.

e-invite FINAL-loresThe aesthetic ideal of the picturesque evokes moments when reality dissolves into image: instances when the boundary between life and representation is blurred. The picturesque emerged in aesthetic theory as a realm caught up between the beautiful and the sublime, and developed into an artistic tradition preoccupied with the search for sceneries amenable to a picture, on one hand, and a penchant for vivid, rustic, wild, natural, and irregular imagery, on the other. This exhibition aims to explore the intersections of memory and the picturesque, of the quest for an ideal, and the changing landscape of taste in a collection gathered by a public official invested in imagining a nation after a devastating war. The picturesque is depicted across a range of media that opens up reflections between the aesthetic and the historical. Archival materials extend the influence of the picturesque into photography, mementos, and mass print. Here, we see the picturesque in snapshots documenting the leisurely travels of the Vargas family, scenic images in magazines, and in advertisement circulated in printed form. Contemporary works included in the exhibit revisit an experience and search from a reservoir of memories. The artists take us to the liminal spaces of remembering and forgetting. Artists featured in this section are Dominic Mangila, Lyra Garcellano, Pam Yan-Santos, Jake Verzosa, Michelle Dizon and Camilo Ontiveros, Erwin Leaño, and Arturo Sanchez.

Picturesque is anchored in the context of the Vargas Museum as a compendium of personal and collective memories that has shaped history and historical consciousness. Through a conversation with contemporary works, memory is reconsidered as active, provisional, and subjective. In the museum, memory is concretized and accumulated through time as history, as ideal, or as critical nostalgia. Just as picture frames confine the limits of vision; so do museums act as a selective framing device. While confinement and arrangement are discriminating principles, the act of framing engenders possibilities for present search and imagination.

The Art History Series is curated based on art historical methods: thematic, monographic, and diachronic.  The first approach is the thematic, which dwells on the notion of the ‘picturesque’ in visual culture as it re-examines ideals of beauty and expressions of nostalgia and melancholy in portraiture and landscape paintings, as well as images in popular culture. The second is monographic, which focuses on the lives and works of artists. It will explore the careers in painting and the graphic arts of Pablo Amorsolo and Pedro Coniconde, whose works are well represented in the Vargas Collection. The series will be rounded out by the diachronic approach, which investigates on the milieu of the Philippine Commonwealth government from 1934 to 1941. This project aims to bridge the gap between curatorship and art history. It is also part of the museum’s continuing efforts to reactivate the collection and place it within a broader social context.

For more information, please contact Vargas Museum at (+632) 928-1927 (direct line), (+632) 981-8500 loc. 4024 (UP trunkline), (+632) 928-1925 (fax) or send an e-mail to vargasmuseum@gmail.com. You may also check our website at http://vargasmuseum.upd.edu.ph or like us at www.facebook.com/vargasmuseum.upd for more information.

Advertisements

About Jorge B. Vargas Museum

It aims to preserve its collection donated by Jorge B. Vargas and conducts research, exhibitions, publications, and educational programs. The Vargas Museum and Filipiniana Research Center houses a museum, archives, and library devoted to the Philippine history, art, and culture from the late 19th century until the post-war era. Its main beneficiaries are students, faculty, researchers and scholars of the Philippines and Asia.

Discussion

No comments yet.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Follow us on Instagram

>upgrade | Homo sapiens sapiens | Yan Abeledo is running at the 3F Galleries until 27 October 2017. For tour inquiries and requests, please send a message to vargasmuseum@gmail.com. The object featured here is part of Abeledo's installation titled "Progenitors." The artist used discarded laboratory materials in some of his pieces for the show. #videoart #installation #medicalequipment #micropipettetubes #plastic #glitch Green Go Home
Tomas Vu and Rirkrit Tiravanija with Buen Abrigo, Mike Adrao, Renz Lee, Gabby Nazareno, Archie Oclos, Iggy Rodriguez, and Jo Tanierla
Opening reception: 13 Oct (Friday) at 4pm
runs until 18 Nov 
1F Galleries

Described as “social sculpture,” the project dwells on, magnifies, and renders the gesture of protest looming, urgent, and lively in current time and present political life. Conceived by collaborators Tomas Vu and Rirkrit Tiravanija, it has been organized in Colombia, the United States, and Spain. It consists of found images on newsprint which are pasted directly onto the walls of the site and interacting with graffiti text with which it shares pictorial space. Inflected by the charged term “gringo” that reels off the title when it is read, the exhibition evokes the history of foreign interventions and the resistances against them worldwide. According to Vu and Tiravanija, “the provocation inherent in Green Go Home is positioned against the subtle underlying subtext of U.S. interventions, and colonialist attitudes, towards its neighbors in Latin American from Mexico southwards: an antagonism that has cost many lives and much strife. In the imagery itself, the presence of each character-from films to music to personalities of resistance-reveals itself to the viewer as addressing the condition of the graffiti text. The grid holds up the statement and reinforces the layers of interpretation, readings, and misunderstandings. Green Go Homeis meant to be a wall of resisters, and of resistance.” This year, Green Go Home goes to UP Vargas Museum. Through collaborations with contemporary Filipino artists, images of recent protest actions in the Philippines will be drawn on the walls of the Vargas as the exhibition progresses. The exhibit seeks to review our notions of history by contributing to a specific history of protest through interactions with the audience. The Vargas develops a timeline of protests to be accompanied by discussions as an integral part of the exhibition. Mid-month opening at the 1F Galleries: "Green Go Home" project by Tomas Vu and Rirkrit Tiravanija with Buen Abrigo, Mike Adrao, Renz Lee, Gabby Nazareno, Archie Oclos, Iggy Rodriguez and Jo Tanierla on 13 October, Friday at 6pm. Exhibition will run until 18 November.

Regular viewing at 3F Galleries: Yan Abeledo's ">upgrade | Home sapiens sapiens" until 27 October 2017

For group tour bookings, please e-mail us at vargasmuseum@gmail.com @pamquinto on Roldan's "Erehes" and "Salvahe" 
Norberto Roldan | Rituals of Invasion and Resistance 
#erehes #salvahe #norbertoroldan #ritualsofinvasionandresistance #vargasmuseum #exhibit #art #artph #contemporaryart #neon #lights #text #vintage #objects #vsco #vscoph #vscocam Today is the last day to view Norberto Roldan's "Rituals of Invasion and Resistance" at the 1F Galleries. We thank all who visited the show. Viewing is until 5pm today. More photos from tonight's opening! #YanAbeledo

UPVargasMuseum on Twitter

%d bloggers like this: