Art, Exhibit, West Wing Gallery (Edge)

The President’s Office

THE PRESIDENT’S OFFICE
08 January – 09 February 2013
G/F West Wing Gallery

Opening cocktails
08 January 2013, Tuesday, 4PM

Malacanang Palace, as the site of the Office of the President is recognized as a space related to authority, power, and a democratic tradition, among other things. However, while officially a space that is open to all, the exigencies of practical operation and security effectively bar the majority from entering the space. Hence, the seat of power is obscured from scrutiny save for a few glimpses as can be gained from occasional public broadcasts or inferred from documents such as those that roughly describe it in terms of architecture. Moreover, what we learn of what goes on in Malacañang is understandably mediated by discourses of confidentiality and national security and as such is almost always in shades of carefully controlled publicity. In addition to this heavy mediation, the permanent barricade preventing access to Malacañang from Mendiola cannot but add a sense of exclusion that compounds our perceived distance from the seat of power.

Buen Calubayan, Landscape Eternal 1, Oil on canvas, 24 x 72 in

Buen Calubayan, Landscape Eternal 1, Oil on canvas, 24 x 72 in

Not unlike Bluebeard’s forbidden room, such spaces induce an explorative curiosity in those barred from entry. More importantly, this exclusion renders Malcañang as an effective blind spot in the imagination, as a space upon which we can but project images based on related histories, hearsay, or suppositions.

It is with consideration for this character of Malacañang as an imaginative blind spot that the participating artists took on the task of representing the Presidential Office. Their construction of the interior features and contents of the Presidential Office are informed by their perceptions of its functions, significations, and history. In turn, as representations that serve as reflections of their own imaginations, the works also function as indices of the expectations, fantasies, and perceived relationships that overlay our collective imaging of the seat of power.

The exhibition is part of a working series entitled ‘Blind Spots,’ which explores restricted spaces as sites of imaginative construction.

The President’s Office runs until 09 February 2013. For more information, please contact Vargas Museum at +632 928-1927 (direct line), +63 981-8500 loc. 4024 (UP trunkline), +63 928-1925 (fax) or send an e-mail to vargasmuseum@gmail.com. You may also check our website at http://vargasmuseum.upd.edu.ph or like us at www.facebook.com/vargasmuseum.upd for more information.

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About Jorge B. Vargas Museum

It aims to preserve its collection donated by Jorge B. Vargas and conducts research, exhibitions, publications, and educational programs. The Vargas Museum and Filipiniana Research Center houses a museum, archives, and library devoted to the Philippine history, art, and culture from the late 19th century until the post-war era. Its main beneficiaries are students, faculty, researchers and scholars of the Philippines and Asia.

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>upgrade | Homo sapiens sapiens | Yan Abeledo is running at the 3F Galleries until 27 October 2017. For tour inquiries and requests, please send a message to vargasmuseum@gmail.com. The object featured here is part of Abeledo's installation titled "Progenitors." The artist used discarded laboratory materials in some of his pieces for the show. #videoart #installation #medicalequipment #micropipettetubes #plastic #glitch Green Go Home
Tomas Vu and Rirkrit Tiravanija with Buen Abrigo, Mike Adrao, Renz Lee, Gabby Nazareno, Archie Oclos, Iggy Rodriguez, and Jo Tanierla
Opening reception: 13 Oct (Friday) at 4pm
runs until 18 Nov 
1F Galleries

Described as “social sculpture,” the project dwells on, magnifies, and renders the gesture of protest looming, urgent, and lively in current time and present political life. Conceived by collaborators Tomas Vu and Rirkrit Tiravanija, it has been organized in Colombia, the United States, and Spain. It consists of found images on newsprint which are pasted directly onto the walls of the site and interacting with graffiti text with which it shares pictorial space. Inflected by the charged term “gringo” that reels off the title when it is read, the exhibition evokes the history of foreign interventions and the resistances against them worldwide. According to Vu and Tiravanija, “the provocation inherent in Green Go Home is positioned against the subtle underlying subtext of U.S. interventions, and colonialist attitudes, towards its neighbors in Latin American from Mexico southwards: an antagonism that has cost many lives and much strife. In the imagery itself, the presence of each character-from films to music to personalities of resistance-reveals itself to the viewer as addressing the condition of the graffiti text. The grid holds up the statement and reinforces the layers of interpretation, readings, and misunderstandings. Green Go Homeis meant to be a wall of resisters, and of resistance.” This year, Green Go Home goes to UP Vargas Museum. Through collaborations with contemporary Filipino artists, images of recent protest actions in the Philippines will be drawn on the walls of the Vargas as the exhibition progresses. The exhibit seeks to review our notions of history by contributing to a specific history of protest through interactions with the audience. The Vargas develops a timeline of protests to be accompanied by discussions as an integral part of the exhibition. Mid-month opening at the 1F Galleries: "Green Go Home" project by Tomas Vu and Rirkrit Tiravanija with Buen Abrigo, Mike Adrao, Renz Lee, Gabby Nazareno, Archie Oclos, Iggy Rodriguez and Jo Tanierla on 13 October, Friday at 6pm. Exhibition will run until 18 November.

Regular viewing at 3F Galleries: Yan Abeledo's ">upgrade | Home sapiens sapiens" until 27 October 2017

For group tour bookings, please e-mail us at vargasmuseum@gmail.com @pamquinto on Roldan's "Erehes" and "Salvahe" 
Norberto Roldan | Rituals of Invasion and Resistance 
#erehes #salvahe #norbertoroldan #ritualsofinvasionandresistance #vargasmuseum #exhibit #art #artph #contemporaryart #neon #lights #text #vintage #objects #vsco #vscoph #vscocam Today is the last day to view Norberto Roldan's "Rituals of Invasion and Resistance" at the 1F Galleries. We thank all who visited the show. Viewing is until 5pm today. More photos from tonight's opening! #YanAbeledo

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