Art, Artist Talk / Walk-Through, Exhibit, UP Vargas Museum, West Wing Gallery (Edge)

Hong Kong Intervention | Sun Yuan & Peng Yu

Hong Kong Intervention
Sun Yuan & Peng Yu
31 August – 29 October 2011
GF West Wing Gallery

The Vargas Museum in cooperation with the Osage Art Foundation opens the Hong Kong Intervention project by Chinese artists Sun Yuan and Peng Yu at the West Wing on August 31, 2011 at 4pm.

In 2009, Sun Yuan and Peng Yu asked Filipino domestic workers in Hong Kong, who were mostly women, to plant a bogus bomb in the spaces of their choice in the well-appointed houses they worked in. They also asked them to photograph each other with their backs turned. The piece was first exhibited in full at the 17th Biennale of Sydney in 2010. According to the biennale catalogue, “it addresses the emotions and issues underlying the relationships between Filipino workers and their Hong Kong employers, and examines the phenomena of migrant workers living outside of their home country, integrating themselves into the families and homes of others.”  The artists have produced provocative works using such materials as live animals, human blood, baby cadavers and fat tissue.

In this project, the classic tension between purity and danger emerges more potently because it intrudes on space in which another form of anxiety takes place: between intimacy and estrangement, anonymity (facelessness and uninhabitedness) and incursion. All this settles on an uneasy calm in the pictures of this project in which the workers stealthily smuggle in a toy grenade in the homes they keep for employers whose secrets, whose interior life, they probably know to heart. It is said that a third of the Philippine population is out of the country, keeping the economy on an even keel by sending back home around 18 billion dollars a year in remittances. The body of Filipinos is a ticking migrant force in the inner sanctum of their masters.

Sun Yuan and Peng Yu will deliver a talk during the opening. The exhibition runs till October 29, 2011.

The Osage Art Foundation (OAF) was established in 2004 as an international not-for-profit philanthropic organisation devoted to building creative communities and promoting cultural cooperation. The Foundation was established because we saw a need, and saw an opportunity to address this need – to offer more support in the development of the arts in Asia. OAF works mainly with the visual arts, and works to address three main concerns: Creative Communities, Cultural Cooperation and Creative Capacity. A key part of Osage Art Foundation’s mission is to foster a deeper regional consciousness of the arts within Asia. OAF programmes are distinguished by their focus on cultural exchange, educational outreach and the building of knowledge; OAF exhibitions develop from substantial research, aim to make strong statements about significant as well as emerging artists, and to provide regional platforms for innovative curatorial perspectives. Find out about current projects and more at http://www.oaf.cc

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About Jorge B. Vargas Museum

It aims to preserve its collection donated by Jorge B. Vargas and conducts research, exhibitions, publications, and educational programs. The Vargas Museum and Filipiniana Research Center houses a museum, archives, and library devoted to the Philippine history, art, and culture from the late 19th century until the post-war era. Its main beneficiaries are students, faculty, researchers and scholars of the Philippines and Asia.

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25-27 January 2018 | Thursday to Saturday, 3-5pm
An Ecological, The Obligatory Reading Series (Season 1)

Closing the first year of PCAN, the Public Engagement and Artistic Formation introduces an itinerant educational initiative in the form of a reading group, established to explore ideas and accommodate materials collected and discussed by the institution’s ongoing research. The reading group is a bi-monthly meeting, hosted in the last week of a month. 
The initial series of reading proceeds from the use of the term “ecological/ecology” in understanding practices of public engagement and artistic formation. In the first meeting (January 25), we will focus on Isabelle Stengers’ work that qualifies the scientific and political dimensions of the ecological as a method of creating relations and as a mode of understanding these relationships to the world. We will ask how these relations create ‘modern’ practices and their other through conceptual vectors utilized by Stengers, such as pharmakon, factishistic proposition, and constraints. The second meeting (January 26) will be an exercise on reading data and statistics about rice production and supply through Mark Sanchez’s project Rice Food Web (2017). Moderated by the artist, the session releases the interpretation of these articles into an open platform of alternative and multiple readings of information. We will ask the agency and dynamics of artistic research/artist-led research in the economy of ‘scientific’ information and policy-oriented knowledge production. In the final meeting (January 27), we will read into a history of an institution and institution-building through its documentation, collected and archived outside its context in Marawi. This session will be an encounter with the Dansalan Quarterly Journal, a community-based, interdisciplinary publication produced by the Dansalan Junior College (now Dansalan Research Foundation) in 1975. 
Session 1 | 3:30 – 5:00 PM, 25 Jan
Cosmopolitics I
Isabelle Stengers
Moderated by Renan Laru-An

Session 2 | 3:30 – 5:00 PM, 26 Jan
Reading the Web
Moderated by Mark Sanchez

Session 3 | 3:30 – 5:00 PM, 27 Jan
Dansalan Quarterly Journal Traversals/Trajectories: Expansive Localities
Curator’s Walk-through 
and Conversation with Martin Lorenzo De Mesa and Kat Palasi

25 January 2018| Thursday, 2:30-5pm, 1F Lobby

Tessa Maria Guazon, coordinator of the Exhibition and Curatorial Analysis component of PCAN, shares her ideas and processes through a curatorial walk-through of "Traversals/Trajectories: Expansive Localities" at the 1F Lobby of Vargas Museum. The exhibition explores ideas of the region and the different “practices of placeness” in Philippine contemporary art by tracing numerous strains of place making in the works of artists from different localities across the Philippines.

A conversation with two of the thirteen featured artists of Traversals/Trajectories follows the curator’s walk-through; visual storyteller and textile artist Kat Palasi and interdisciplinary artist Martin de Mesa offer insights into their art practice as well as their specific local contexts.

Place of Region in the Contemporary, the initial project of the Philippine Contemporary Art Network (PCAN), closes with several activities on the last week of January 2018. The four exhibitions currently on view at the Place of Region in the Contemporary introduce the four nodes of the network. 
All events are free and open to the public. Pre-registration via vargasmuseum@gmail.com preferred. Contact during office hours: 928-1927

https://pcan.org.ph/
Main event page of project on UP Vargas Museum: https://www.facebook.com/events/585701778427439/ 24 January 2018
Wednesday, 10-11:30am
Art Historiography Series: Jess Ayco in Philippine Art

The Knowledge Production and Circulation component of PCAN, coordinated by Roberto G. Paulino, identifies research themes and topics pertinent to the vision of the proposed network. For its pilot research project, it undertakes archival research on Philippine artists Jess Ayco (1916-1982), Santiago Bose (1949-2002), Abdulmari Imao (1936-2014), and Junyee (Luis Yee Jr) (born 1942). The first lecture of Roberto G. Paulino in the Art Historiography Series of PCAN through the Place of Region in the Contemporary focuses on the study of the Filipino modernist Jess Ayco who lived and worked in Bacolod.

Place of Region in the Contemporary, the initial project of the Philippine Contemporary Art Network (PCAN), closes with several activities on the last week of January 2018. The four exhibitions currently on view at the Place of Region in the Contemporary introduce the four nodes of the network. 
All events are free and open to the public. Pre-registration via vargasmuseum@gmail.com preferred. Contact during office hours: 928-1927

https://pcan.org.ph
Main event page of project on UP Vargas Museum: https://www.facebook.com/events/585701778427439/ The project Place of Region in the Contemporary is closing next week. Activities from 24 to 27 January are free and open to the public. Please check UP Vargas Museum page for full details. **25 January 2018** Thursday, 2:30-5pm
Traversals/Trajectories: Expansive Localities
Curator’s Walk-through and Conversation with Martin Lorenzo De Mesa and Kat Palasi

Tessa Maria Guazon, coordinator of the Exhibition and Curatorial Analysis component of PCAN, shares her ideas and processes through a curatorial walk-through of "Traversals/Trajectories: Expansive Localities" at the 1F Lobby of Vargas Museum. A conversation with two of the thirteen featured artists of Traversals/Trajectories follows the curator’s walk-through; visual storyteller and textile artist Kat Palasi and interdisciplinary artist Martin de Mesa offer insights into their art practice as well as their specific local contexts.  The exhibition explores ideas of the region and the different “practices of placeness” in Philippine contemporary art by tracing numerous strains of place making in the works of artists from different localities across the Philippines. Collateral activities are organized with the exhibition, including a discussion platform to examine impulses underlying the curatorial —those that frame and activate localities in their assertion of claims to place against an overarching globality.

https://www.facebook.com/vargasmuseum.upd/posts/10155899791262667 Roberto G. Paulino coordinates the Knowledge Production and Circulation component of PCAN. For Place of Region in the Contemporary, Paulino initiates an archival research on Philippine artists Jess Ayco (1916-1982), Santiago Bose (1949-2002), Abdulmari Imao (1936-2014), and Junyee (Luis Yee Jr) (born 1942). Born or based in the regions of Bacolod, Baguio, Jolo, and Los Baños, the artists represent the disparate conditions and production in Philippine modern and contemporary art. *****************************************24 January 2018
Wednesday, 10-11:30am
Art Historiography Series: Jess Ayco in Philippine Art

The first lecture of Roberto G. Paulino in the Art Historiography Series of PCAN through the Place of Region in the Contemporary focuses on the study of the Filipino modernist Jess Ayco who lived and worked in Bacolod. Place of Region in the Contemporary is on its last ten days of viewing. At the Sensorium of the museum's third floor, texts about artist-curator Raymundo Albano are displayed alongside his poetry and curatorial and graphic design. Visitors are encouraged to spend time to read at this area. 
Place of Region in the Contemporary is the initial project of the Philippine Contemporary Art Network (PCAN). https://www.pcan.org.ph

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