Art, Cellar Gallery, Exhibit, Museum

Archiving Roberto Chabet

ARCHIVING ROBERTO CHABET

Ringo Bunoan

 

The Cellar Gallery and Basement B

UP Vargas Museum

3 March – 4 April 2009

 

 

The UP Vargas Museum presents the exhibition entitled, Archiving Roberto Chabet at the Cellar Gallery. In Archiving Roberto Chabet, artist and researcher Ringo Bunoan focuses on the work of the pioneering Filipino conceptual artist Roberto Chabet, beginning with his early drawings and collages in the 1960s to his current installations and objects. For nearly a year now, she has been sourcing clippings, researching dates and titles, scanning photographs, conducting interviews, and cataloguing every single item that bears his name, for a special research project by the Asia Art Archive, (AAA) with the support of the Lopez Memorial Museum.

 

For this exhibition however, the aim is not to present a thorough survey of Chabet’s work, nor even a sampling. Instead, Bunoan has decided to work within the cracks in the narrative, by re-constructing and presenting some of Chabet’s works, which have never been realized or those that have escaped documentation.

 

Drawing on the idea of surveillance and the desire for knowledge, the exhibition invites reflection on how we can represent the fractured and ephemeral nature of conceptual art. It is a fitting homage to Chabet, who, despite his strong influence, has maintained a strategic distance from the operations of the art world. With this ordering of scavenged data, Bunoan underscores Chabet’s immense contribution to Philippine art while performing a critical statement on the systems and politics that govern our culture, memory and history.

 

Artist’s Talk by Ringo Bunoan is scheduled on 06 March 2009 (Friday), 3:00 PM at the UP Vargas Museum.

 

Archiving Roberto Chabet will run until 4 April 2009. For more information, please contact the UP Vargas Museum at 928-19-27 (direct line), 929-19-25 (telefax), 981-85-00 local 4024, 0929-8567909 (mobile), or send an e-mail at vargasmuseum@gmail.com. The Museum’s official website may be viewed at www.vargasmuseum.org

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About Jorge B. Vargas Museum

It aims to preserve its collection donated by Jorge B. Vargas and conducts research, exhibitions, publications, and educational programs. The Vargas Museum and Filipiniana Research Center houses a museum, archives, and library devoted to the Philippine history, art, and culture from the late 19th century until the post-war era. Its main beneficiaries are students, faculty, researchers and scholars of the Philippines and Asia.

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Green Go Home featured artist: MIKE ADRAO

Initiated by Tomas Vu and Rirkrit Tiravanija, the project collaborates with seven contemporary Filipino artists. Mike Adrao creates an image based on a photograph from Bulatlat.com of the People Surge rally in Tacloban in 2014.

Super Typhoon Yolanda (international name: Haiyan) landed in the Philippine eastern coasts of Leyte and nearby provinces in November 2013. A year after the calamity that killed more than 6,000 people, simultaneous rallies happened in Eastern Visayas, Bohol, Zamboanga, and Metro Manila to denounce the government’s ineptitude in giving services and aid. People Surge is an alliance established in Tacloban City on 25 January 2014 by the survivors of the typhoon and it has organized mud walks to commemorate the Yolanda event. Green Go Home by Tomas Vu and Rirkrit Tiravanija is at the 1F Galleries of the Vargas until 18 November 2017. Through collaborations with seven contemporary Filipino artists, images of recent protest actions in the Philippines are drawn on the walls of the Vargas as the exhibition progresses. 
According to Vu and Tiravanija, “the provocation inherent in Green Go Home is positioned against the subtle underlying subtext of U.S. interventions, and colonialist attitudes, towards its neighbors in Latin American from Mexico southwards: an antagonism that has cost many lives and much strife. In the imagery itself, the presence of each character-from films to music to personalities of resistance-reveals itself to the viewer as addressing the condition of the graffiti text. The grid holds up the statement and reinforces the layers of interpretation, readings, and misunderstandings. Green Go Home is meant to be a wall of resisters, and of resistance.” On Saturday, 19 October 2017, the museum will be open as usual with viewing hours from 9am to 5pm. However, please be advised of heavy traffic inside the university campus due to the UPCAT (University of the Philippines College Admission Test). Here are some photos from last Saturday's opening reception of Green Go Home at the 1F Galleries. More photos can be viewed at our Facebook page. #TomasVu #RirkritTiravanija #BuenAbrigo #MikeAdrao #RenzLee #GabbyNazareno #ArchieOclos #IggyRodriguez #JoTanierla #drawing #mural #protestArt #resistance #socialsculpture Here is "Membranes" created by artist-educator Yan Abeledo
for the exhibit ">upgrade | homo sapiens sapiens" currently on view at the 3F Galleries. Thanks to @eyascapes for the photograph. Described as “social sculpture”, Green Go Home dwells on, magnifies, and renders the gesture of protest looming, urgent, and lively in current time and present political life. Conceived by collaborators Tomas Vu and Rirkrit Tiravanija, it has been organised in Colombia, the United States and Spain. This year, Green Go Home goes to UP Vargas Museum. Through collaborations with contemporary Filipino artists, images of recent protest actions in the Philippines will be drawn on the walls of the Vargas as the exhibition progresses. The exhibit seeks to review our notions of history by contributing a specific history of protest through interactions with the audience. The Vargas develops a timeline of protests to be accompanied by discussions as an integral part of the exhibition.” Mike Adrao’s artwork is based on a photograph of People Surge Tacloban published in Bulatlat.com, 11 November 2014

Green Go Home runs until 18 November at the 3F Galleries. Thanks to @tinawartgallery for the Instagram photograph. Third week of viewing: >upgrade | Homo sapiens sapiens | Yan Abeledo runs until 27 October 2017. The image is an installation shot at the 3F Galleries of two sculptural works titled Adam™ and Eve™ with corresponding printed texts and graphics on sintra boards also created by the artist. The exhibit raises questions on the human body and the ethical interventions on it. The allure of the commercial aspect of this venture may attract visions of the future, yet with it comes uncertainty.

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